THE
POWER OF INNOCENT OPTIMISM
How I wrote a novel, sold
it & got a movie deal,
because I didn’t know I couldn’t
Amazing,
all the things that happen when you're not looking. The
town becomes a city, that ratty twig in the yard
grows into a monster tree, a California cyber
geek builds the first organic Porsche. And in one anonymous moment, you're life
can change drastically, as I’ve recently learned.
I'm an artist. Despite
the fact that I’ve been a marketing copywriter for
many years (love those regular paychecks), I’ve always identified myself
as an artist. That’s where my heart and soul live, plus I’ve sold
lots of paintings in galleries. An artist, absolutely. Until the day, without
planning or ceremony, I took a turn and became something else. For a long time,
I wasn’t even aware that anything had happened.
The seed was planted eight
years ago, when I wrote a short story. It was my first-ever fiction, and
I entered it in a Southwest literary contest. That
story won honorable
mention, so I started another one. I stopped at page seven, though, because
the theme seemed so big. Several years later, my friend Deborah Hoffman,
a seriously
wonderful writer, asked what I’d written lately. I searched my desk and
located the abandoned pages. Deborah read them and said, "Just write it
till it’s finished."
"Okay," I said.
I soon found
I was comfortable writing one page a day. I’d
think, tinker, and play with it all day, then pour
it out on the keyboard every night. A year
later I finished the story, Sleeping with Schubert, about a woman who gets
inhabited by the spirit of Franz Schubert. I sent my
manuscript into the world and soon
had six interested agents. In the end, I chose Richard Pine, who, it turns
out, is one of New York’s top agents. I didn’t
know enough to realize how lucky I was.
After some revisions, Richard sent my manuscript to
publishers. One week later, he left me a voicemail: "We have an offer from Random House. They want
to publish your book. Call me when you have the chance." Call
me when you have the chance. Did I mention Richard’s a funny guy?
By coincidence,
I was flying the next morning from my home in Tucson to New York. Richard
asked if I’d like to meet my editor on Monday. I figured I could
find the time.
A few days later, I was in the Random
House offices, sitting opposite Jon Karp, a vice-president
and senior editor. He was saying how
much he loved
my novel.
My novel. Didn’t he know I wasn’t a licensed novelist?
With
Jon’s editorial suggestions, I made the final revisions, then Richard
asked me about sending the manuscript to film agents. Hey, why not? We
made the connection, and one month later Richard called again.
"We have a movie deal," he
said. "Have you heard of Lorenzo di Bonaventura?"
I hadn't, but I loved the name. Richard explained that Lorenzo had
been the worldwide head of Warners and had set up his own production
studio.
By that
time, hyperventilating
had become my normal breathing mode.
It’s two years later now,
and two ace screenwriters are hard at work on a script for Paramount.
I have conversations with my agent, editor, publicist,
producer, screenwriters, and other exotic types.
So, why are these
people calling me? How did all this happen? And when,
when, did everything change?
Just write till it’s
finished. Okay.
Not a big moment, just an "okay" one.
Not even as big as yes. It was the power of innocent
optimism, the moment I forgot to be afraid.
Maybe it was the way Deborah said it. "Write it till it’s finished" is
light years from "Write a book." If she had said the b-word, I would
have laughed at the notion. Instead, I fell into the page-a-day pattern that
felt right for me. Obviously, it can be a practical approach to many things big
and scary. If you want to run the New York Marathon, but you’ve never run
before, you should not attempt it this afternoon. But if you run a little today
and a little more each day for a year, you can absolutely finish the marathon.
Writing happened to be my marathon.
And while my life has changed in amazing ways, it’s at least as startling
to see the changes in people around me. Friends and family are having a ball.
My parents, at average-age eighty, act like kids of sixty. Dad has been a meticulous
editor of every draft, and I believe Mom has pre-sold a thousand copies to the
Beth-El seniors.
To be honest, I was hesitant about writing this essay because I
don’t
want to obscure the fact that my book stands on its own. Agents were lusting
over
it, and Random House bought it long before they knew my story. I'm aware,
too, that countless wonderful writers have never been published. They didn’t
finish their books, or never got their manuscripts into the right hands,
or they were too afraid even to try. Fortunately, I was propelled by innocent
optimism,
but where did it come from? I’ve had some good models, including my
old friend Hortensia. She lived in a rural Arizona town,
where I was helping the community set
up a health clinic years ago. We had all the paperwork finished and needed
to
present
the case to the county board of supervisors. Hortensia was not highly educated
and had no public-speaking experience, but she was a dynamo and was elected
to "close
the deal" for her community. As the meeting started, I put an arm around
Hortensia and asked if she was afraid.
"Why would I be afraid?" she said. "I've never done this before."
Somehow
Hortensia took the things we all learn about fear, caution and self-doubt and
turned everything around. She’d never failed at public speaking
before, or had a bad experience with the county supervisors, so why be frightened?
Innocent
optimism isn't about being naïve. It’s the open, what-the-hell
readiness to walk through new doors.
So, Sleeping with Schubert will
be placed in thousands of stores, I’ll
do book signings, public readings, interviews. And it’s possible that
no one will come to my signings or buy the book. Maybe they’ll laugh
at my effort, and the movie won’t get made, and Random House will
drop me as the worst failure in publishing history. Gulp. Sweat. Choke.
But why
should I be afraid? I’ve never done this before. |